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Typography & Graphic Communication 
 Research Division 

Heritage & Creativity Research Theme

Design for reading


The Typography & Graphic Communication Research Division describes its research as the history, theory and practice of ‘design for reading’, including typeface design, information design, graphic design and printing.

Our information design research is concerned with making complex information clear – in words and in pictures – with the needs of users in mind. We value collaboration with domain experts, such as doctors and public health specialists, educationists, lawyers, and meteorologists.

Our research in type design has global relevance and contributes to the development of resources that enable computer-based texts for diverse communities. Whether Arabic newspapers, scholarly Greek or Indian scripts on mobile devices, these applications have stemmed from our close study of historic letterforms and long-standing collaborations with industry.

We are recognised as a centre of excellence for research in letterform and type design history, graphic design, and the history of printing processes, including lithography and stencilling. Our co-directorship of the Centre for Book Cultures and Publishing, one of Reading’s interdisciplinary research centres, extends the reach of this work.

Much of our research is underpinned by our world-leading Lettering, Printing and Graphic Design Collections. The Centre for Ephemera Studies houses the Maurice Rickards Collection and thousands of examples of printed ephemera.

Sketch for Bengali Sarkar typeface

collections and archives

Since the 1970s, Typography at Reading has built up unrivalled collections and archives relating to lettering, printing and graphic design. These are now regarded as being of international importance. 
 

research highlights

Women in Type is a Leverhulme funded project about women’s pivotal role in the development of type design. Prof Fiona Ross is leading the first socio-historical account of women’s role and responsibilities in type-drawing studios from 1910 to 1990 as experienced within the two companies: the Monotype Corporation and Linotype Limited (formerly Linotype-Paul Ltd and Linotype-Hell Ltd).

Prof Rick Poyner’s collections-based research has resulted in a book about the designer, activist and visual journalist, David King. His accompanying website supplements the material in the book and includes regular updates about aspects of King’s work.

Prof Sue Walker is leading an AHRC-funded COVID-19 Rapid Response project investigating the design of instructions that accompany lateral flow tests used at home and in the community. Testing, diagnostics and design research brings together a cross-disciplinary team to ensure awareness of the needs of health sector stakeholders and effective communication routes.

Picturing Science for children: is an AHRC-funded project about Marie Neurath’s Isotype books for children, produced from the 1940s to the early 1970s, that were innovative in their approach to the design of complex information. An on-line exhibition shows examples of the books and how they were made, as well as co-designed resources based on them for use in primary schools.

Information design book: Researchers at Reading have pioneered research that brings together graphic design, psychology, and linguistics with specialist professionals, for example in health, meteorology, and law. Together they examined how good information design can be used to support people when contexts are complex and decisions are important for their safety, well-being, and opportunity.

Their innovative book, Information design - research and practice weaves design theory and methods with case studies of professional practice from leading information designers across the world and offers a single, essential reference for anyone interested in information design and related disciplines.

Dramatic by design: Since the National Theatre’s founding in 1963, its design studio has been led by just five people, allowing for an exceptional degree of continuity. This makes the theatre’s output a particularly revealing case study. 

An exhibition of the theatre's posters over five decades, curated by Professor Rick Poyner, traces the changes in process, design and function. The posters are not only a record of how an institution central to British cultural life visualised the role of design, but they also provide an insight into changing approaches to graphic design over the decades. 

An accompanying book National Theatre Posters: A Design History is available from the National Theatre Bookshop and online.

Gerard Unger - A life in letterforms: Our colleague Gerard Unger (1942 - 2018) was a renowned typographer who designed typefaces that are used all over the world – from our very own University logo to the pages of newspapers. He was interested not only in letterforms but in the act of reading itself. Read our tribute to him.

Read more highlights

Our publications

Our latest research papers and publications can be downloaded from the University’s online archive.

Follow us

Get the latest news about our research from our departmental news portal.

  • @UniRdg_Typo
  • @UniRdgTypoColls
  • @cbcp_UniRdg
A signwriter painting the ship's name on HMS Victory.

Study opportunities

We are proud of our vibrant and engaged doctoral research community, and welcome applications in all aspects of design for reading. 

Postgraduate research 

Master’s courses 

Reading research involving designers and pharmacists is helping to promote awareness of antimicrobial resistance in new ways.

Using design to spread the word about superbugs

Cutting-edge research on information design in pharmacy spaces, led by Prof Sue Walker and involving local pharmacists and the general public in the UK and in Rwanda, is helping to explain the dangers of drug-resistant infections and what people can do about it. 
Several designer typefaces printed out on a table

Designing fonts for a global audience

By transforming the approach to digital font design for ‘non-Latin’ scripts, researchers are improving the reading experience of millions of people and promoting understanding of the cultural richness of world scripts and languages.

Contact us

For specific enquiries, please contact:

Professor Eric Kindel

Email: e.t.kindel@reading.ac.uk

Telephone: +44 (0) 118 378 8082

For more information on how the University of Reading can work with your business, please contact:

Email: frontdoor@reading.ac.uk

Telephone: + 44 (0)118 378 5380

Find out how we can support your business
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